3/31/2023 0 Comments Roger waters us them![]() This show is visually very powerful, and musically it's just Pink Floyd, and that's by definition always perfect, the best you can get in music. Waters shared a 52-second clip on YouTube, showing him listening to the first verse of a reworked 'Us and Them' in the studio. It's just a powerful concert, and that you can witness in the audience, which you see in several shots, they are clearly all touched by the whole gig. Roger Waters recently shared a snippet of music from his re-recorded version of Pink Floyd s Dark Side of the Moon, which celebrated its 50th anniversary on March 1. The truth is that Us + Them had me four times in tears, and that's not a bad thing at all, on the contrary. Critic Reviews for Roger Waters: Us + Them This is more than just a Pink Floyds greatest-hits show, but not much more than that. I had the honor and pleasure to see them five times live, with the biggest concert of my life in Berlin in 1990 to commemorate the fall of the Berlin Wall eight months earlier (half a million of people singing together that's just a moment I can't describe), so you could say I can judge them fairly, or at least compare the different shows. That said, Us + Them was a show I didn't see yet (live I mean). His music is about everything that goes wrong on this planet, and Trump is part of that. What did you expect from Roger Waters? That's exactly what we (Pink Floyd addicts and fans) want to see. I'm kidding of course, if you don't like Pink Floyd or Roger Waters it's your right to not like it, but reading from another reviewer that actually likes Pink Floyd smashing this movie down because there is too much anti-Trump propaganda or too much leftist propaganda is just ridiculous. The concerts promoter, Live Nation Poland. Screens twice on October 2 and October 5 at Toronto’s Yonge-Dundas Square, Yonge-Eglinton Silver City, Silvercity Yorkdale, and Cineplex Odeon Queensway.This movie/concert only deserves a ten star rating, anything lower is just not justified. Roger Waters Us and Them comes to cinemas worldwide on October 2 and 6. Planned concerts in Poland by Pink Floyd co-founder Roger Waters have been cancelled amid outrage over the musicians stance on the Ukraine war. With Roger Waters (guitar, bass) Dave Kilminster (guitars, vocals), Jon Carin (lap steel) Joey Waronker (drums, percussion), Holly Laessig and Jess Wolfe (vocals, percussion) and Ian Ritchie (saxophone). For the casually curious, be forewarned: While Waters still burns with righteous zeal, at an often repetitious 135 minutes, the film will leave your backside feeling uncomfortably numb. More Details Watch offline Downloads only available on ad-free plans. Starring: Roger Waters Watch all you want. The title of the Us + Them tour, as Waters tells the audience, means that that there is “only us,” not an “us” and “them,” though the “fuck the pigs” chants confirm that some of “them” are beyond redemption.įor the fans, Us + Them offers a meticulously constructed concert experience for a fraction of the price of a live ticket and a chance to join a chorus in yelling back at the TV. Roger Waters: Us + Them 2019 Maturity Rating: TV-MA Documentary Films Witness the Pink Floyd co-founder in concert in Amsterdam in 2018 as he performs songs old and new to deliver a powerful message about current events. “Picture a leader with no fucking brains” he yells out, in a lyric from the song, “Picture That” on his most recent album, Is This The Life We Really Want? We get lots of images of Donald Trump, along with his most repulsive quotes, accompanying a medley of songs including song “Pigs (Three Different Ones),” “Money,” and “The Dark Side of the Moon.” Otherwise, the fireworks come from Waters’ anti-authoritarian politics. For both visual and aural interest, there’s the duo of Jess Wolfe and Holly Laessig (from indie band, Lucius), dressed in blonde page-boy wigs with sparkly eye gunk, who strut and warble and bang things. Musically, it’s vintage blues-based space-rock, with Jon Carin’s shimmering lap steel guitar and Ian Richie’s biting sax solos cutting through the dirge-like wash.
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